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Monday, March 26, 2007

Muse win Best British Band at Shockwaves NME Awards

Muse have been crowned this year's Best British Band at the Shockwaves NME Awards tonight (March 1).

The result was announced by Kaiser Chiefs frontman Ricky Wilson and New Order bassist Peter Hook.

The band were unable to attend the awards due to their current Asian tour, but sent a video message from the stage on one of their gigs in Taiwan.

"This is very kind, thank you very much," said, drummer Matt Howard before joking, "I must go, as I have to play a riff!"

The other nominees were:

Arctic Monkeys
Babyshambles
Kasabian
Oasis

For all the latest rolling news, backstage gossip and spats from the Shockwaves NME Awards 2007 go to NME.COM/Awards.

For more coverage from this year's awards check our on site blogs:

News Vulture for a live run down of all the action

Too Much Information for behind-the-scenes gossip at this year awards.

Meanwhile get next week's special edition issue of NME out on UK newsstands from March 7 for the ultimate coverage of the Shockwaves NME Awards 2007.

[source: http://www.nme.com/news/muse/26771]

Friday, March 23, 2007

Stockholm syndrome - Absolution

I won't stand in your way
let your hatred grow
and she'll scream and she'll shout
and she'll pray and she had a name.
Yeah she had a name

I won't hold you back
let your anger rise
and we'll fly and we'll fall and we'll burn
no one will recall, no one will recall

this is the last time I'll abandon you
and this is the last time I'll forget you
I wish I could

look to the stars
let hope burn in your eyes
and we'll love
and we'll hate
and we'll die
all to no avail
all to no avail

this is the last time I'll abandon you
and this is the last time I'll forget you,
I'll forget you
I wish I could

this is the last time I'll abandon you
and this is the last time I'll forget you
I wish I could
I wish I could

Sing for absolutiun - Absolution

lips are turning blue
a kiss that can't renew
I only dream of you
my beautiful

tiptoe to your room
a starlight in the gloom
I only dream of you
and you never knew

sing for absolution
I will be singing
falling from your grace

there's nowhere left to hide
in no one to confide
the truth burns deep inside
and will never die

lips are turning blue
a kiss that can't renew
I only dream of you
my beautiful

sing for absolution
I will be singing
falling from your grace

sing for absolution
I will be singing
falling from your grace

our wrongs remain unrectified
and our souls won't be exhumed

Rule by secrecy - Absolution

repress and restrain
steal the pressure and the pain
wash the blood off your hands
this time she won't understand

change in the air
and they'll hide everywhere
and no one knows who's in control

you're working so hard
and you're never in charge
your death creates success
rebuild and suppress

change in the air
and they'll hide everywhere
and no one knows who's in control

change in the air
and they'll hide everywhere
and no one knows who's in control

Our time is running out - Absolution

I think im drowning
asphyxiated
I wanna break the spell
that you've created

you're something beautiful
a contradiction
I wanna play the game
I want the friction

you will be
the death of me
yeah, you will be
the death of me

bury it
I won't let you bury it
I won't let you smother it
I won't let you murder it

and our time is running out
and our time is running out
you can't push it underground
you can't stop it screaming out

I wanted freedom
but I'm restricted
I tried to give you up
but I'm addicted

now that you know I'm trapped
sense of elation
you'll never dream of breaking this fixation
you will squeeze the life out of me

bury it
I won't let you bury it
I won't let you smother it
I won't let you murder it

and our time is running out
and our time is running out
you can't push it underground
we can't stop it screaming out
how did it come to this?

yeah you will suck the life out of me

bury it
I won't let you bury it
I won't let you smother it
I won't let you murder it

and our time is running out
and our time is running out
you can't push it underground
you can't stop it screaming out

how did it come to this?

Hysteria - Absolution

it's bugging me
grating me
and twisting me around

yeah I'm endlessly
caving in
and turning inside out

because I want it now
I want it now
give me your heart and your soul
and I'm breaking out
I'm breaking out
last chance to lose control

it's holding me
morphing me
and forcing me to strive

to be endlessly
cold within
and dreaming I'm alive

because I want it now
I want it now
give me your heart and your soul
I'm not breaking down
I'm breaking out
last chance to lose control

and I want you now
I want you now
I feel my heart implode
and I'm breaking out
escaping now
feeling my faith erode

Fury - Absolution

Fury
You're so happy now
Burning a candle at both ends
Your self-loving soothes
And softens the blows you've invented

Breathe in deep, and cleanse away our sins
And we'll pray that there's no God
To punish us and make a fuss

Crack's healing up
Future soul forgive this mess
You wait twenty years
And wind up alone, demented

Breathe in deep, and cleanse away our sins
And we'll pray that there's no God
To punish us and make a fuss

Falling away with you - Absolution

I can't remember when it was good
moments of happiness elude
maybe I just misunderstood
all of the love we left behind
watching our flash backs intertwine
memories I will never find
so i'll love whatever you become
forget the reckless things we've done
I think our lives have just begun
I think our lives have just begun

and I'll feel my world crumbling
I'll feel my life crumbling
I'll feel my soul crumbling away
falling away
falling away with you

staying awake to chase a dream
tasting the air you're breathing in
I hope I won't forgot a thing
I wish to hold you close and pray
watching our fantasies decay
nothing will ever stay the same
and all of the love we threw away
and all of the hopes we've cherished fade
making the same mistakes again
making the same mistakes again

and I'll feel my world crumbling
I'll feel my life crumbling
I'll feel my soul crumbling away
and falling away
falling away with you

all of the love we left behind
watching our flash backs intertwine
memories I will never find
memories I will never find

Endlessly - Absolution

there's a part in me you'll never know
the only thing I'll never show

hopelessly I'll love you endlessly
hopelessly I'll give you everything
but I won't give you up
I won't let you down
and I won't leave you falling
If the moment ever comes

It's plain to see it's trying to speak
cherished dreams forever asleep
hopelessly I'll love you endlessly
hopelessly I'll give you everything
but I won't give you up
I won't let you down
and I won't leave you falling
if the moment ever comes

hopelessly I'll love you endlessly
hopelessly I'll give you everything
but I won't give you up
I won't let you down
and I won't leave you falling
but the moment never comes

Butterflies and hurricanes - Absolution

change,
everything you are
and everything you were
your number has been called
fights, battles have begun
revenge will surely come
your hard times are ahead

best,
you've got to be the best
you've got to change the world
and you use this chance to be heard
your time is now

change,
everything you are
and everything you were
your number has been called
fights and battles have begun
revenge will surely come
your hard times are ahead

best,
you've got to be the best
you've got to change the world
and you use this chance to be heard
your time is now

don't,
let yourself down
don't let yourself go
your last chance has arrived

best,
you've got to be the best
you've got to change the world
and you use this chance to be heard
your time is now

Black out - Absolution

don't kid yourself
and don't fool yourself
this love's too good last
and I'm too old to dream, yeah

don't grow up too fast
and don't embrace the past
this life's too good to last
and I'm too young to care

don't kid yourself
and don't fool yourself
this life could be the last
and we're too young to see

Apocalyps please - Absolution

APOCALYPSE PLEASE
declare this an emergency
come on and spread a sense of urgency
and pull us through
and pull us through

and this is the end
this is the end
of the world

and it's time we saw a miracle
come on, it's time for something biblical
to pull us through
and pull us through

and this is the end the end
this is the end
of the world

proclaim enternal victory
come on and change the course of history
and pull us through
and pull us through

and this is the end
this is the end
of the world

Thursday, March 22, 2007

Biography of Muse

Muse are a popular Brit Award winning English rock band formed while at Teignmouth Community College in Teignmouth, Devon in 1992. Their idiosyncratic style is a blend of indie rock, electronica, classical music, heavy metal and progressive rock . The band is famed for its energetic live performances (winning numerous Best Live Act awards) and frontman Matthew Bellamy's eccentric interests in global conspiracy, extraterrestrial life, theology and the apocalypse. Muse consists of Matthew Bellamy, Dominic Howard, and Chris Wolstenholme. As of the release of their fourth album, Morgan Nicholls assists the band during live performances, providing additional keyboards, samples and backing vocals. He previously played bass in a few live performances due to Wolstenholme getting injured.
(1992-1997) Formation and early years

The members of Muse were in separate bands at Teignmouth Community College in the early 1990s. The formation of Muse began after 14 year old Matthew Bellamy successfully auditioned for the part of guitarist in Dominic Howard's band. They were left with a dilemma when their second guitarist Phys Vandit decided to leave, so they asked close friend Chris Wolstenholme to learn to play the bass guitar. The band changed names a number of times after this, cycling through names such as Gothic Plague, Carnage Mayhem, Fixed Penalty, and Rocket Baby Dolls, before adopting the name Muse (the chronology of these names is unclear, as Muse has given contradictory accounts in various interviews).

In 1994, under the name Rocket Baby Dolls and with a Gothic/glam image, the group won a local battle of the bands contest, trashing their gear in the process (they were "the only real rock band" there).[2][3] Shortly after this win the band decided to forgo university and take on a living as professional musicians. They changed their name to Muse and started playing concerts in local clubs like the Cavern in Exeter.
(1998-2000) First EPs and Showbiz

After a few years building a fan base in London, they played their first gigs in London and Manchester. The band had a significant meeting with Dennis Smith, the owner of Sawmills, a recording studio in a converted water mill in Cornwall, S.W. England.

This meeting led to their first proper recordings and the release of a self-titled E.P. on Sawmill's in-house Dangerous label. Their second E.P., the Muscle Museum EP, attracted the attention of influential British music journalist Steve Lamacq and the weekly British music publication NME. Dennis Smith subsequently co-founded the music production company Taste Media especially for Muse (the band stayed with Taste Media for their first 3 albums). This was fortunate for the band, as it allowed them to preserve the individuality of their sound in the early stages of their career.

Despite the success and acclaim of their second E.P., British record companies were reluctant to back Muse, and many sections of the music industry were concerned that their sound was too similar to that of Radiohead (circa The Bends). However, the American Maverick Records arranged a number of gigs in the United States before signing them at the end of 1998. Upon their return from America, Taste Media arranged deals for Muse with various record labels in Europe and Australia. John Leckie, who had produced the aforementioned The Bends, the Stone Roses, "Weird Al" Yankovic and The Verve, was brought in to produce the band's first record, Showbiz. The album showcased the band's aggressive style, and featured a number of lyrical references to the difficulties they had trying to establish themselves in Teignmouth.[4]

The release of this album was followed by tour support slots for the Foo Fighters and the Red Hot Chili Peppers in the United States. 1999 and 2000 saw Muse playing major festivals in Europe and gigs in Australia, accumulating a considerable fan base in Western Europe.
(2001-2002) Origin of Symmetry

Their second album, Origin of Symmetry, again produced by Leckie, resulted in a heavier, darker rock sound, with Wolstenholme's bass, often overdriven, distorted or synthesized, sometimes using classical techniques on songs like "Space Dementia."

The band experimented with unorthodox instrumentation, such as a church organ, Mellotron, and an expanded drum kit. There were more of Bellamy's high-pitched vocal lines, arpeggiated guitar, and distinctive piano playing, inspired by the works of pianists of the Romanticism movement, particularly Russians such as Rachmaninov and Tchaikovsky. Also palpable is the influence of minimalists such as Philip Glass. Bellamy cites guitar influences such as Jimi Hendrix and Tom Morello (of Audioslave and Rage Against the Machine), the latter evident in the more riff-based songs on Origin of Symmetry, and in Bellamy's extensive use of pitch-shifting effects in his solos.[5] The album also features a surprising reworking of Anthony Newley and Leslie Bricusse's "Feeling Good".

The general eccentricity of Muse's fundamentally rock style has seen them likened to the rock band Queen, although this is only due to their way of working the stage, Bellamy sharing a lot of charisma like that of Queen's Brian May.[6]

The album might have led to Muse making a significant impact on the American music scene, but Maverick had reservations about Bellamy's vocal style (considering it not to be "radio-friendly"), and asked Muse to change some of their songs prior to U.S. release. Insulted, the band declined and left Maverick altogether, preventing the release of Origin of Symmetry in the U.S. (Muse has since released the album in the U.S. on 20 September 2005).

Following the album, Muse released Hullabaloo Soundtrack, a DVD featuring their live performance at Le Zenith in Paris in 2001. A double album featuring a collection of b-sides and recordings of some songs from the Le Zenith performance was released at the same time. A double A side single was released featuring new songs In Your World and Dead Star, a move away from the grand opera style of Origin of Symmetry. The single was greeted with a mixed reaction from existing fans, but radio friendly song lengths and styles helped to attract many new fans.

In the February 2006 edition of Q Magazine, Origin of Symmetry was placed 74th in a fans poll of the 100 greatest ever albums.
(2003-2005) Absolution

In 2003, a new studio album, Absolution, was released. Produced by Rich Costey (who had previously produced Rage Against the Machine), the album demonstrated a continuation of the experimentation displayed in Origin of Symmetry, while maintaining a sense of the band as a three-piece. The album yielded the band the hit single "Time Is Running Out".

Muse continued to blend classical influences into their hard rock sound, the overall effect being somewhat Wagnerian in style, especially on tracks such as "Butterflies and Hurricanes". The band has made reference to a theme running through the album—the end of the world, and reactions to that situation. This draws mainly from Bellamy’s interest in conspiracy theories, theology, science, futurism, computing and the supernatural. Bellamy's interests in terrorism, its cause and the conspiracy theories surrounding it, stemmed from the death of his uncle who had been killed by the IRA. The song Ruled By Secrecy, for example, takes its title from the Jim Marrs novel Rule By Secrecy about the secrets behind the way major governments are run—many lyrics on this album have political references.

Similar themes were explored in Origin of Symmetry; the song "Space Dementia" is named after a mental disorder identified in some astronauts following prolonged periods in space, as songs such as New Born (also from Origin of Symmetry) make reference to a hypothetical future where technology has a detrimental effect on society.

Finally receiving mainstream critical acclaim in Britain, and with a new American record deal, Muse undertook their first international stadium tour. It continued for about a year and saw Muse visiting Australia, New Zealand, the U.S., Canada, and France. Meanwhile, the band released five singles.

The band played at the Glastonbury festival in June 2004. Bellamy described the concert as "The best gig of our lives",[7] but very shortly after the concert, drummer Dominic Howard's father, Bill Howard, who was at the festival to watch the band, died from a heart attack. "It was the biggest feeling of achievement we've ever had after coming offstage," Bellamy said. "It was almost surreal that an hour later his dad died. It was almost not believable. We spent about a week sort of just with Dom trying to support him. I think he was happy that at least his dad got to see him at probably what was the finest moment so far of the band's life." With support from his bandmates and family, Howard decided to stay with the band.

Muse continued their tour. Their last dates were in the U.S. and at the Earls Court arena in London, where they played an extra date due to the high demand for tickets. They won two MTV Europe awards, including "Best Alternative Act," and a Q Award for "Best Live Act." At the end of 2004, Vitamin Records released The String Quartet Tribute to Muse by The Tallywood Strings, an album of instrumental string versions of some of Muse's songs. At the 2005 Brit Awards, Muse were awarded the "Best Live Act" award.

The band finished touring in January 2005, but visited the U.S. in April and May, as their profile there was considerably higher than before. On 2 July 2005, Muse participated in the Live 8 concert in Paris.

A DVD biography called Manic Depression was released in April 2005, but the band was not involved with the project and did not endorse the release. Another DVD was released on December 12, 2005, Absolution Tour, containing re-edited and re-mastered highlights from the Glastonbury Festival 2004, and previously unseen footage from London Earls Court, Wembley Arena, and the Wiltern Theatre in Los Angeles. However, three songs were cut from the original BBC edit, Interlude, and Stockholm Syndrome, for reasons unknown (possibly due to lack of space on the disc) Citizen erased was also taken out because it ended with the intro to Take a Bow which became the opening track on the bands Black Holes and Revalations album. However, Stockholm Syndrome was included in the Earls Court footage. Two songs, Endlessly and Thoughts Of A Dying Atheist, are hidden tracks on the DVD taken from Wembley Arena.
(2006-present) Black Holes and Revelations

Music sample:

* "Starlight" (2006) (file info) — play in browser (beta)
o Music sample from "Starlight", second single off Black Holes and Revelations
o Problems listening to the file? See media help.

After having an extensive break following the lengthy tour, the band returned in August 2005 for recording sessions, though serious recordings started around September. The album was recorded until spring 2006 with a couple of breaks for holidays. The band announced their new LP in May 2006, produced again by Rich Costey and titled Black Holes and Revelations. Shortly afterwards, the album was leaked to the Internet. The finished album was released to the Japanese market on 28 June 2006 with an extra track, "Glorious," that is not present on the rest of the world's releases but was available if pre-ordered from iTunes.[8] The album was released in Europe on July 3, 2006 and in North America on July 11, 2006. It charted at No. 1 in the UK, much of Europe, and Australia and also achieved American success, reaching No. 9 in the Billboard 200 album chart. Black Holes and Revelations was nominated for the 2006 Mercury Music Prize, but the prize instead went to the Arctic Monkeys. The album did, however, earn a Platinum Europe Award after selling one million copies in the continent, and the band received the 2006 Q Award for Best Live Act.

The album's title and themes are the work of the band's fascination with space, Mars and Cydonia, the Book of Revelation and the Four Horsemen of the Apocalypse. The artwork is designed by Storm Thorgerson and depicts a landscape of the surface of Mars with four men seated around a table and four miniature horses on it.

The first single from the album, "Supermassive Black Hole," was first released as a standalone download on May 9, 2006. Reactions to the new single were diverse as it represented an extreme departure from the style of the band's previous work. The single was officially released online on 12 June, with the CD release taking place on June 19. The CD release contained the B-side "Crying Shame." The second single, "Starlight", was released on September 4, 2006. "Knights of Cydonia" was released as a radio-only single in the US on June 13, 2006 and as a CD/Vinyl single in the UK on November 27, 2006. It charted on the Rock Top 10 and was accompanied by a humorous, six-minute promotional video filmed in Romania. It had been announced that the fourth single from the album would be Invincible[9], and a release date of April 9 was set.

On November 2 2006, Muse won the Best Alternate and Best Live Act awards at the 2006 MTV European Music Video Awards in Copenhagen, and performed their single "Starlight". Justin Timberlake, presenting the awards, said that Muse was the best band there when introducing their performance of "Starlight", and lead singer of The Killers, Brandon Flowers, mentioned Muse while receiving their Best Rock award, claiming it belonged to Muse. The band also recently won the Brit award for best live act in February 2007. However, they didn't win the other two awards they were up for (Best Album and Best British Band), losing both to the Arctic Monkeys.

The band started performing live again on May 13, 2006 at BBC Radio 1's One Big Weekend, followed by various other promotional TV appearances. The main live tour started just before the release of their album and initially consisted mostly of festival appearances, most notable of which was a headline slot at the Reading and Leeds Festivals.[10] A tour of North America took place from late July to early August 2006, and after the last of the summer festivals a tour of Europe began, including a large arena tour of the UK.[11] The band spent the November and much of December 2006 touring Europe with British band The Noisettes as the supporting act. Since then, the tour has continued in and around Australia and Southeast Asia, and more dates around the world have been published until July 2007. The band has stated that they would be touring probably until the end of summer.[12] Confirmed major performances include the headlining spot at the Isle of Wight Festival on June 9, and a 90,000-capacity gig at the newly-rebuilt Wembley Stadium on June 16, 2007.[13] The Wembley concert sold out quickly, prompting the addition of an extra show for June 17.[14] After The Brit Awards the band announced that they were asked to play at one of the Live Earth concerts, likely to happen at Wembley Stadium on July 7, 2007. They are also confirmed to play the Oxegen festival in Ireland on the same day.[15]

In advance of the launch on March 1st, 2007 of NBC Universal's cable channel specializing in horror programming, Chiller, NBC Universal released a promo reel to give an idea of what one can expect to see on this new channel. Muse's "Time Is Running Out" is featured prominently in the second half of the promo reel. To see the Chiller promo reel, click the link at the end of this sentence. [1]
Band Members

* Matthew Bellamy - lead vocals, electric guitar, piano, synthesizer
* Chris Wolstenholme - backing vocals, bass guitar, synthesizer, guitar (Hoodoo)
* Dominic Howard - drums, percussion, synthesizer